Country & Folk
After the success of her critically-acclaimed 2021 release Daddy’ s Country Gold, Melissa Carper, dubbed “HillBillie Holiday” by friend and collaborator Chris Scruggs, was eager to get back in the studio. With co-producers Andrija Tokic (St. Paul & The Broken Bones, Hurray For The Riff Raff) and Dennis Crouch (The Time Jumpers) behind the boards again at Tokic’s analog paradise The Bomb Shelter in Nashville, Carper assembled that same crew of magical music makers - plus a few more - to embark on her newest effort, Ramblin’ Soul, set for release November 18th via Thirty Tigers.
Carper’s deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family’s traveling country band in rural Nebraska. Her love of country classics was cultivated as she laid beneath the console listening to her parents’ record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth. When Carper’s father gifted her a collection of Jimmie Rodgers’ recordings, she began to find her voice and calling as a songwriter.
Carper attended the University of Nebraska-Lincoln on a music scholarship, and spent much of her time in the music library, instinctively drawn to the great jazz classics and jazz vocalists such as Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole. She also discovered Lead Belly, uncovering a deep well within when singing his songs. Carper stands firmly on the shoulders of American ramblers, crooners, and songsters - the building blocks of her musical foundation. In 2020, grappling with the loss of regular gigs, Carper and Patek moved to a friend’s farm near Austin, working in exchange for housing, organic vegetables, and fresh, country air. The simpler life afforded Carper the space and rejuvenation needed to channel her muse, and begin writing for her next album.
“I had a handful of songs about rambling around and living a free life that I wanted to weave through the album,” Carper recalls. “I wrote the title track driving back home to Texas, and it felt like the seeds of the next album were planted. I also knew I wanted Ramblin’ Soul to have a different feel than Daddy’s Country Gold, with more upbeat and diverse styles and grooves.” Ramblin’ Soul features a co-write with life long ramblin’ buddy and bandmate Gina Gallina, a song penned by friend and frequent collaborator Brennen Leigh; a reimagined classic from folk pioneer Odetta; and ten Carper originals. The album ventures into blues, early rock and roll, and old school soul, along with Carper’s signature styles of country, western swing, and jazz. Carper’s lifelong, steadfast listening has come to fruition in the songs on Ramblin’ Soul. Her childhood love of the family record collection planted the seeds of what is her own bountiful orchard today.
Luke Bryan’s first #1’s/Greatest Hits album- includes 22- #1 Songs on 2CD-Set.
Luke Bryan will be releasing his #1’s on CD for the first time. It include 22- #1 Hits that span over 12 years. #1’s Volume 1 & Volume 2 will be released as a 2 CD-Set on September 30th . It begins with “Rain Is A Good Thing” which was his first #1 and all of the way up to 2021 with his #1- “Knockin’ Boots”. Luke Bryan has released seven studio albums to date. Since his debut, Luke Bryan has garnered 27 #1 hits and has more RIAA certified digital singles than any other country artist with 68.5 million, has 15.6 billion streams worldwide, and has sold nearly 13 million albums. Each CD includes a Free Limited Edition Poster
Capitol Records Nashville presents multiplatinum hitmaker Jon Pardi's fourth studio album, Mr. Saturday Night. The 14-tracks include the singles, "Last Lonely Night," and "Fill `Er Up." Jon says about the album, "A lot of time was spent living with the songs on this record. There is more life experience on Mr. Saturday Night than any album I've released before." It was produced by Jon with Bart Butler and Ryan Gore, the same team behind his award-winning 2019 album, Heartache Medication.
Not Just A Girl (The Highlights) features 18 tracks, spanning Shania Twain's illustrious career. Achieving five GRAMMY Awards and three RIAA diamond-certified albums, she has sold over 100 million albums and is one of the best-selling artists of all time. This collection serves as the soundtrack to her 'Not Just A Girl' documentary which includes Shania's biggest hits and fan favorites, "You're Still the One," "That Don't Impress Me Much," "Man! I Feel Like a Woman!" and more, plus one new song.
Little Big Town is set to release their brand-new studio album, Mr. Sun, on September 16, 2022. This is their 10th studio album and first new music in over 2 years. It features their latest single, “Hell Yeah.” Little Big Town first entered the music scene more than 20 years ago. The band’s breakthrough albums, Tornado and Pain Killer, produced multiple #1 singles, including “Pontoon,” “Tornado,” and “Day Drinking,” as well as 2015’s history-making, best-selling country single of the year, “Girl Crush.” Their 2017 release, The Breaker, debuted at #1 on the Billboard Country Albums chart and #4 on the Billboard 200 to critical acclaim. “Wine, Beer, Whiskey,” was the latest from their self-produced 9th studio album, Nightfall, which also reached the top of the Billboard Country Albums chart and has garnered over 316 million global streams.
Charley Crockett will release his latest album The Man From Waco on September 9th via Son of Davy/Thirty Tigers. Crockett wrote or co-wrote all 14 songs on the album, and in many ways The Man From Waco is the purest distillation of his artistry to date. What started as a demo session with producer Bruce Robison at Robison’s studio The Bunker outside Austin, TX turned into the first album Crockett has ever made with his band The Blue Drifters backing him from start to finish. Mostly first takes with only a handful of overdubs, The Man From Waco finds Crockett refining his singular “Gulf & Western” sound which continues to captivate an ever-growing legion of fans.
“I just wanted an honest partnership: do it at your place, live to tape, everybody in the room,” Crockett says of the recording experience, and Robison was happy to accommodate. “The magic is in the performances on that tape. That’s what Bruce wanted to do, that’s what I wanted to do. When we were done, I said ‘these are masters, not demos.’”
There’s a loose narrative thread that ties the album together, but at the center of The Man From Waco is Crockett, who continues to trust his instincts and carve out his own singular space. Eschewing the ever-growing siren song of major labels and GRAMMY-winning producers, Crockett is forging ahead as a mostly DIY artist, calling his own shots and giving himself the space to strive for greatness on his own terms.
“Everybody was telling me: ‘go right, go right, go right,’” says Crockett. “I went left. I had to hold on to what has gotten me this far.”
The Man From Waco will be in a record store near you on September 9th on CD, Vinyl, and an indie record store exclusive edition featuring alternate album artwork.
Featuring highlights from the 2018 box set, The Girl From Chickasaw County – The Complete Capitol Masters, plus unreleased bonus material including an alternate take of “Sunday Best,” a demo of “Hurry, Tuesday Child,” an alternate version of “Mississippi Delta,” and many more. The 2 LP set has a 12” x 12” insert with liner notes and a selection of images used in the box set.
BRELAND will release his highly-anticipated debut album Cross Country on September 9th. Named for the boundary-pushing, genre-bending style that defines all his output, Cross Country firmly establishes BRELAND as a vital new force shaping the future of country music.
Expanding on the songwriting chops and star-making appeal first revealed on his breakthrough certified Platinum hit single “My Truck” — as well as its remix with Sam Hunt — Cross Country takes its title from an autobiographical, acoustic-guitar-fueled track showcasing BRELAND’s intricately detailed storytelling and warm yet commanding voice. Along with the title track “Cross Country (feat. Mickey Guyton),” BRELAND’s debut album also offers up previously released singles like “Throw It Back (feat. Keith Urban)” and “Praise The Lord (feat. Thomas Rhett).”
Equally upbeat and mellow, Hayes writes clever songs that mirror his brand and artistry of unconventional, unique country-music. Following the high from scoring his first No. 1 with hit song “Fancy Like,” Hayes’ latest album is a continuation of that success; a medley of beatboxing, sing-rapping, and witty lyrics with refreshing and vulnerable honesty that solidifies his place as a top-notch, one-of-a-kind player in the country music scene. After a long journey of fighting tooth and nail to make it in Nashville, but always sticking to his true self, Hayes’ record tells reminiscent stories of trials and triumphs of following a dream and trying to be better every day, with refreshing, catchy tunes about love and life mixed in that you can’t resist singing along to.
Darius Rucker will be releasing his #1's on CD for the first time. It includes 10- #1 Hits that span over 10 years. It begins with "Don't Think I Don't Think About It" which was his first #1 and all of the way up to 2020 with his #1- "Beers and Sunshine". Darius has released 5 solo country albums on Capitol Records Nashville that have included 10 #1 Country Songs.
Steve Earle has been creating intimate and personal music for well over four decades now. His songwriting has wound itself along a path from Texas to Tennessee and his education came in the form of learning from the best. 2009’s Grammy-nominated record, TOWNES, was a tribute to his dear friend and mentor, Townes Van Zandt. Ten years later Earle released, GUY. An album concentrated on paying homage to the late Guy Clark and the indelible friendship that they had formed in stories told through song. 2022 welcomes the release of JERRY JEFF. A 10-song collection of songs written by the gypsy songman, Jerry Jeff Walker. Featuring hits like, “Mr. Bojangles” and “Gettin’ By”, Earle & The Dukes honor the late Texan by amplifying the concept and sound of each song with a full-band recording.
Eric Church will release his & album on August 19, 2022. It was previously only available through the Church Fan Club as part of the Heart & Soul album collection released in 2021. Pressed on 180-gram black vinyl, this 6-track LP is a must-have album for fans and completes the Heart & Soul collection.
Sony Music Nashville - Growin' Up - Luke Combs - Produced by Combs, Chip Matthews and Jonathan Singleton, Growin' Up is Combs' third studio album following 2019's 3x Platinum What You See is What You Get and his 4x Platinum debut, This One's For You. The new album consists of twelve songs, including Combs' first single "Doin' This," which has topped the charts at country radio.
NOW That’s What I Call Country Volume 15 will be the latest installment in the popular NOW series. The project is a joint venture from Universal Music Group and Sony Music Entertainment. This release is part of the multi-platinum NOW That’s What I Call Music! compilation series, the world’s best-selling multi-artist albums with sales topping 250 million worldwide and 94 million in the U.S. Now That’s What I Call Country Collections have sold over 3 Million. Volume 15 will include songs from Country Superstars- Luke Bryan, Sam Hunt, Miranda Lambert, Luke Combs, Dan + Shay, and others.
Face The River is the new album from singer-songwriter Gavin DeGraw. The album is an emotional journey that reflects recent personal losses that Gavin has suffered. Face The River was produced by Dave Cobb (Chris Stapleton, Brandi Carlile, Sturgill Simpson) in Nashville, and this collection of songs is easily the most personal work Gavin has ever created.
Carrie Underwood - Denim & Rhinestones
Carrie Underwood will be releasing a brand new studio country album on June 10th called Denim & Rhinestones. The album includes 12 tracks including her latest hit single- "Ghost Story". Carrie is a true multi-format, multi-media superstar, spanning achievements in music, television, film, and as a New York Times bestselling author and successful entrepreneur. She has sold more than 66 million records worldwide, recorded 28 #1 singles (14 of which she co-wrote), and has seven albums that are certified Platinum or Multi-Platinum by the RIAA, all while continuing to sell out arena tours across North America and the UK.
Joshua Hedley is “a singing professor of country & western,” he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it’s not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he’s devoted his entire life to the study of this genre. Ask him about it and he’ll explain: “When all my friends went off to college, I went to Nashville. I was 19 years old playing honkytonks and getting an education.” His 2018 debut, Mr. Jukebox, showcased his deep knowledge of country’s history, in particular the beery ballads of the 1950s and ‘60s. His mentors were George Jones, Ray Price, and Glen Campbell, but his most remarkable accomplishment was putting his own spin on their style.
Neon Blue, on the other hand, examines a very different, often forsaken era: the early 1990s. “The last bastion of country music,” says the professor, “was the early 1990s, roughly 1989 and 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ’97, when country veered off into pop territory. Neon Blue asks, What if that fork had never happened? What if country kept on sounding like country?”
That era may have been dismissed by traditionalists at the time as slick or overproduced, but Hedley finds something exciting in that old hat-act sound, and Neon Blue plays up the excitement of bigger-than-life choruses, the relatable emotions of those sad-eyed ballads, and the inventiveness of the lively production. “The sound is modern,” he says, “but it’s still discernibly country.”
Vinyl: $20.98 Buy
Want to get a bead on Paul Cauthen?
Good freakin' luck -- especially on his third album, COUNTRY COMING DOWN.
COUNTRY COMING DOWN has been in motion awhile, actually. The title track, one of several co-writes with good Nashville pal Aaron Raitiere, has been around since before Cauthen's dark sophomore album ROOM 41. Its sense of campfire calm and "damn near off the map" idyll set a bar, for both music and lifestyle, that Cauthen aspired to, while the rest of the new album, recorded at Modern Electric Sound Recorders in Dallas with regular collaborators Beau Bedford (Texas Gentlemen) and Jason Burt (Medicine Man Revival), shows that Cauthen was able to get there without losing any of the playful "hot dog holly golly dagnabit" good-time spirit that rolls off his tongue like a tumbleweed in the west Texas panhandle.
If you want to know what COUNTRY COMING DOWN sounds like, tuck into the album's sonic array, an austere, sinewy attack that puts Cauthen's vocals dead center in the ride. "We've really unleashed Big Velvet in this situation, which I love," he says. Nowhere is that more true than "Country As Fuck," with a taut groove and loping gait tailor made for a 21st century honky tonk. Cauthen, Bedford and Burt play with that template throughout COUNTRY COMING DOWN, punctuating "Caught Me At a Good Time" with a sharp guitar solo, "High Heels" with a tasteful Wurlitzer break and the satiristic "Country Clubbin'" with a disco beat and chorus of female backing vocals.
His muse fully engaged, Cauthen is looking towards doing more of that in the future, with a few conceptual ideas up his sleeve about what he might do next. No matter what direction he takes, however, he won’t be abandoning that cabin in the hills or the "Country Clubbin'" life; Cauthen will just be adding more to the mix he's stirred together.
"It's just about looking at yourself in the mirror and knowing that what you've done to this day has been in good standing, with good morals and a good compass in life, driven the right way," he says. "Legacy is all we have -- that, and try to be a good person as well. If you get all that together, then you can do whatever the fuck you want and it'll be alright."
Acclaimed singer, songwriter and musician Molly Tuttle will release her anticipated Nonesuch Records debut, Crooked Tree, April 1 (on CD and digital. LP will be May 13) with her new bluegrass collective Golden Highway.
Recorded live at Nashville’s Oceanway Studios, Crooked Tree was produced by Tuttle and Jerry Douglas and features collaborations with Sierra Hull, Old Crow Medicine Show, Margo Price, Billy Strings, Dan Tyminski and Gillian Welch. The album explores Tuttle’s love of bluegrass, which she discovered through her father, a music teacher and multi-instrumentalist, and her grandfather, a banjo player. Across these thirteen tracks, all of which were written/co-written by Tuttle, she honors the bluegrass tradition while also pushing the genre in new directions.
“I always knew I wanted to make a bluegrass record someday,” Tuttle says. “Once I started writing, everything flowed so easily: sometimes I’ve felt an internal pressure to come up with a sound no one’s heard before, but this time my intention was just to make an album that reflected the music that’s been passed down through generations in my family. I found a way to do that while writing songs that feel true to who I am, and it really helped me to grow as a songwriter.”
In celebration of the new music, Tuttle and Golden Highway—Bronwyn Keith-Hynes (fiddle), Dominick Leslie (mandolin), Shelby Means (bass) and Kyle Tuttle (banjo)—will embark on an extensive headline tour beginning tonight with shows at Seattle’s Tractor Tavern (two nights), Portland’s Mississippi Studios (two nights), Los Angeles’ Roxy, Salt Lake City’s State Room, Boulder’s Fox Theatre, Asheville’s The Grey Eagle and Nashville’s Station Inn, among several others. Full details can be found at mollytuttlemusic.com/tour.
In addition to Tuttle (vocals, guitars), Douglas (dobro), Keith-Hynes (fiddle) and Leslie (mandolin), Crooked Tree also features musicians Darol Anger (fiddle), Ron Block (banjo), Mike Bub (upright bass), Jason Carter (fiddle), Viktor Krauss (upright bass), Todd Phillips (upright bass) and Christian Sedelmyer (fiddle) with additional harmony vocals from Tina Adair, Lindsay Lou and Melody Walker.
Priscilla Block draws listeners in with her unfiltered, relatable songwriting and catchy melodies. "I love writing about real-life experiences and the ups and downs that I've gone through," Priscilla says. "I don't sugarcoat anything, and I think that's the beauty of songwriting and being an artist. It's a little sass, a little trash and a little sad," she describes with a knowing wink as her catalog rolls easily from heartbreak to laughter. Features the Country radio hit, "Just About Over You."
Country/Bluegrass album, Run, Rose, Run that will be released along with a novel co-written with the famed author, James Patterson, sharing the title Run Rose Run. The 12 songs were inspired by the book storyline and feature Country and Bluegrass artists; Joe Nichols, Rhonda Vincent, The Issacs, and Dailey & Vincent. Dolly & James will be doing book and album promotions together - presenting a unique co-marketing opportunity.
Vinyl: $19.98 Buy
“I’m starting to realize that being an outlier and a weirdo––it doesn’t have to be a bad thing,” says Sarah Shook. Shook pauses, then adds with a grin, “It can be whatever you want it to be.”
Shook is home in North Carolina, talking about Nightroamer, the hotly anticipated new album from their band, Sarah Shook & The Disarmers. Backed by white-knuckle playing from Eric Peterson on guitar, Aaron Oliva on upright bass, drummer Jack Foster, and Adam Kurtz on pedal steel, Shook has pulled from Hank Williams, Elliott Smith, the Sex Pistols, and Shook’s own inquisitive, open, outlying self to create pop-savvy, honky-tonk punk that’s both an escape and a reality check––a re-opened wound and a balm. Relationships and life-changing realizations are dissected with honesty and humor, three tight minutes at a time.
When Sarah Shook & The Disarmers released Sidelong four years ago, the irreverent quintet’s debut turned heads around the world. Then 2018’s follow-up Years hooked everyone from Rolling Stone to Vice. “This ain’t no country for hipsters or posers,” said No Depression. “It’s real, raw, mean-and-evil-bad-and-nasty bidness.” Then, the first two albums turned into a tease: The pandemic shut down the world, just as The Disarmers finished recording Nightroamer in Los Angeles. The band has had to sit on the album––until now.
Nightroamer is worth the wait. This is still a band whose recordings beg to be heard live, either in a punk-rock hole in the wall or honky-tonk roadhouse. Shook’s voice is crystalline––but boozy, too, with a cadence that sounds comfortable resting in the pocket before lagging, jumping, or cozying up to the offbeat. What initially may feel like a slip is actually a stroke––and listeners cannot get enough.
Produced by Pete Anderson, Nightroamer is the confident next step fans hoped The Disarmers could take. “I think this record is different than ones we’ve done in the past. It feels every bit as expansive as I wanted it to feel,” says Shook. “I didn’t want there to be a shocking, jarring difference, but I definitely wanted it to feel like things are opening up. It’s a bigger feeling experience.”
Asked what they hope listeners experience, Shook is clear. “Music is one of the ways we can connect to other people,” they say. “That’s my hope: That people feel seen and they feel connected to something that brings them a sense of peace.”
In a career marked by risk-taking and rule-breaking, Simpson has previously challenged genre conventions with 2016’s soul-inflected A Sailor’s Guide to Earth, which won the Grammy award for Country Album of the Year and was nominated for Album of the Year, and 2019’s Sound & Fury, which was nominated for Rock Album of the Year.
In a career marked by risk-taking and rule-breaking, Simpson has previously challenged genre conventions with 2016’s soul-inflected A Sailor’s Guide to Earth, which won the Grammy award for Country Album of the Year and was nominated for Album of the Year, and 2019’s Sound & Fury, which was nominated for Rock Album of the Year.
Introducing Jackson + Sellers and their debut album Breaking Point, on ANTI records. Jade Jackson and Aubrie Sellers, two rising stars who aligned during the pandemic to write one of the most compelling duo albums of the last decade.
Drawn together by instant chemistry, cosmic forces and their ability to write intuitive romantic breakup songs for each other, their album is a window into the dissolution of two different relationships and the formation of another: a perfect, platonic, creative union. United in their desire to write a record that reflected their expansive musical interest from 70s rock to raucous roots to indie pop, their LA written, Nashville recorded album is a masterclass in unexpected vocal harmonic convergence.
With Breaking Point, Jackson + Sellers will establish themselves as two individual artists who together, share a deep friendship, musical kinship and the ability to craft tight singular pop rock songs that will embed themselves in your ears for the rest of time.
Equally upbeat and mellow, Hayes writes clever songs that mirror his brand and artistry of unconventional, unique country music. Following the high from scoring his first No. 1 with hit song “Fancy Like,” Hayes’ latest album is a continuation of that success; a medley of beatboxing, sing-rapping, and witty lyrics with refreshing and vulnerable honesty that solidifies his place as a top-notch, one-of-a-kind player in the country music scene. After a long journey of fighting tooth and nail to make it in Nashville, but always sticking to his true self, Hayes’ record tells reminiscent stories of trials and triumphs of following a dream and trying to be better every day, with refreshing, catchy tunes about love and life mixed in that you can’t resist singing along to.
Out on dBpm Records, Love Is The King, a “beautifully honest ode to love and hope,” is the follow-up to 2018’s WARM and 2019’s WARMER, and comes on the heels of Tweedy’s second book, How To Write One Song. “At the beginning of the lockdown I started writing country songs to console myself. Folk and country type forms being the shapes that come most easily to me in a comforting way. 'Guess Again' is a good example of the success I was having at pushing the world away, counting my blessings — taking stock in my good fortune to have love in my life,” comments Tweedy. “A few weeks later things began to sound like 'Love Is The King' — a little more frayed around the edges with a lot more fear creeping in. Still hopeful but definitely discovering the limits of my own ability to self soothe." This deluxe edition will include a second disc of live material, all in the same sequence as the studio recording plus a Neil Young cover bonus track titled “The Old Country Waltz."
Vinyl: $32.98 Buy
The Willie Nelson Family finds Willie joined in his Pedernales Studios by a host of his family members and extended family of long-time band members, performing songs that they have performed for much of their lives. Sister Bobbie, sons Lukas and Micah, and daughters Amy and Paula all contribute plus band members Mickey Raphael, Kevin Smith and Billy and Paul English. Produced by Willie and Steve Chadie and shaped around a setlist of 12 favorite spirit-driven songs from the Nelson Family repertoire, the album draws on deep Americana (including A.P. Carter's "Keep It On The Sunnyside" and the traditional hymn "In The Garden") while celebrating classic songwriting from Hank Williams ("I Saw The Light") and Kris Kristofferson ("Why Me") to George Harrison ("All Things Must Pass") and Willie Nelson (who penned half of the album's compositions). Willie's son Lukas (who fronts his own band, Lukas Nelson & Promise of the Real) sings lead vocals on two of the album's tracks--"All Things Must Pass" and "Keep It On The Sunnyside"--while sharing lead vocals with Willie on "I Saw the Light," "I Thought About You, Lord" and "Why Me." These songs represent the final recordings Willie made with his longtime drummer and pal Paul English who was Willie’s drummer for over 50 years before he passed away in February 2020.
In 2007, Plant and Alison Krauss released Raising Sand, one of the most acclaimed albums of the 21st Century. It was an unlikely, mesmerizing pairing of one of rock’s greatest frontmen with one of country music’s finest and most honored artists, produced by the legendary T Bone Burnett. Now, after fourteen years, the two icons return with Raise the Roof, a dozen songs from a range of traditions and styles that extend this remarkable collaboration in new and thrilling directions.
MP3 Album: $9.99 Download
Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."
Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.
Honoring the enduring inspiration of Frank Sinatra, That’s Life is Willie Nelson’s second album of classics made famous by The Chairman Of The Board. Willie’s first ode to Frank, 2018's My Way, earned Willie the Grammy for Best Traditional Pop Solo Album, and That's Life finds Nelson (who has penned a few standards himself) inhabiting 11 more of the most treasured songs in the Great American Songbook including the title track, "Luck Be A Lady,” "Nice Work If You Can Get It," "I've Got You Under My Skin," "You Make Me Feel So Young," and "I Won't Dance" (a duet featuring Diana Krall). Produced by Buddy Cannon and Matt Rollings, That's Life was recorded at Capitol Studios in Hollywood--where Frank Sinatra, created a string of album masterpieces--with additional recording at Pedernales Studios in Austin, Texas. Willie delivers 11 new studio performances, coming alive in a musical landscape animated by lush string and vibrant horn arrangements on an album mixed by recording industry legend Al Schmitt (who's recorded and mixed more than 150 gold and platinum albums and won more Grammy Awards than any other engineer or mixer). The album cover features a brand new painting of Willie and his iconic guitar, Trigger, standing in the glow of a twilight streetlamp, evoking classic Sinatra album covers of yore.
The Milk Carton Kids are releasing the live album Live From Lincoln Theatre, for the first time on vinyl. Comprised of singers and acoustic guitar players Joey Ryan and Kenneth Pattengale, The Milk Carton Kids both filmed and recorded their set at this Columbus, Ohio theatre in October 2013 during their tour in support of the Grammy-nominated album The Ash & Clay. Released as a film in 2014, the newly remastered audio will be available on vinyl.
“Live From Lincoln Theatre is the truest representation of what Joey and I have been up to for the last decade,” Pattengale explains. “The set list is like a greatest hits album of Milk Carton Kids songs. I’ve never played guitar in the studio quite the way that it comes together on stage. Our voices also communicate something extra for the occasion. And, of course, Joey doesn’t ramble about our master recordings, but there’s no stopping him once the lights are dim and the mics are hot.”
Founded in 2011, The Milk Carton Kids swiftly emerged as a major force in the American folk tradition, blending ethereal harmonies and intricate musicianship with a uniquely powerful brand of contemporary songcraft.
The first Country act to achieve RIAA’s DIAMOND certification, GRAMMY-nominated duo Florida Georgia Line have been making history since 2012. They’ve tallied 17 career #1 singles, 13.1+ billion streams, sold more than 33.9 million tracks and 4.7 million albums worldwide, logged 1.5 billion video views, and played to over 4 million fans spanning massive headline tours. Honored by ACM, AMA, Billboard, CMA, and CMT Awards, Florida Georgia Line releases their anticipated studio album Life Rolls On.
Good Woman was written and recorded in a time of tremendous turmoil and change forthe band, between theending of relationships,thedeath oftheir beloved mother, andthebirth of Emily’s first child. The album is a testament tothe Stavely-Taylors’ strength and that of other women; to sisters, mothers, and daughters; to love, loss, and change; and to trying to be a good woman.The band explains: “We have been working on this for a long time and are thrilled to share the title track. When we think about making this album we think about moments and snapshots of all the different contexts we were in as it was made. Living in each other’s pockets and then living with oceans between us. Of voice notes and field recordings and ideas in emails sent across continents. We think of homesickness and family. Of being an outsider. Of endless notebooks and scraps of paper. Of studios in the winter and recordings under the summer sun. Of rainy London days and long American nights with coffees and beers, dogs, and cats. We think of love. Big, big love. Our Mum. Our Dad. Our friends. And of loss. Death and birth. Womanhood, motherhood. Sisterhood.“And coming home.”
Danny Kroha’s Detroit Blues could be considered part two of his solo debut LP - Angels Watching Over Me. In his own words, “it was me in a room playing acoustic instruments and doing my own arrangements of some old songs”.
Not so fast man!, when you hear this record and dig a little deeper into the facts, you’ll have a heightened awareness of the sonic beauty found in the simplicity. On many of these traditional songs, Danny dropped, added or rearranged verses from various sources, mixing up music from one song and words from another and unintentionally created his own amalgamation of early blues and ‘60s folk.
Keep your ears peeled for familiar and wild homemade sounds. There’s a DIY one string washtub bass made out of some kinda bug spray can. There’s a lot of jug bass, blowing the bass notes over the jug opening, frequently heard in early rural American music but also with the 13th Floor Elevators who ran their jug thru an amplifier. The one string guitar, aka The Diddley Bow, on “Come Out Of The Wilderness” is extremely rare, aside from Danny, one of the last times we heard one was on One String Sam's “I Need A Hundred Dollars”. You have your traditional assortment of spoons, jawbones and other percussion instruments, but during one session, Danny and the album supervisor tried out several pairs of Danny's work boots to find the best tone for the foot stomps. We’ll report back soon on what brand was chosen.
Instead of following all the rules rooted the early blues and ‘60s folk, Danny Kroha mixed up all the rural and urban traditions and kicked out a new surreal sound that could really only happen in Detroit - “I listen to both genres, for sure. I just wasn’t TRYING to make a record that sounds like that. It just came out that way”.
The transcendent new album from Ani Di Franco, Revolutionary Love marks the latest proof of one of her most powerful gifts as an artist: a rare ability to give voice to our deepest frustrations and tensions, on both a personal and political level. “My songs have always reflected an acute connection between my personal life and the life of my society,” says the trailblazing musician and activist. “As I started to come out of years of dealing with marriage problems, I saw my entire country in the same situation; the complete breakdown of communication and loss of empathy and connection. But after what seems like unforgivable damage, then where do you go? You can’t kick each other off the planet, you can’t change the past, so what then?”
As the 22nd studio album in an iconic career— a musical career which forged one degree of separation between Pete Seeger and Prince and the accompanying career of founding her own precedent-setting label, Righteous Babe Records—Revolutionary Love began taking shape in the final weeks before the Covid 19 pandemic came to change the plans of everyone everywhere. Returning home to New Orleans from a West Coast tour in February of 2020, with a new batch of songs written on the road, Di Franco found herself without a path to recording those songs and lost in the creative abyss of the collective need for social isolation. “And then I decided I wanted to start pushing this new music out by fall… before the election,” she recalls. “I felt very strongly that I needed a horse to ride to try to help get out the vote—to get people inspired and get them believing in democracy, believing in each other and in themselves.”
Di Franco began to explore using live recordings from the tour as the basis for the new album but then she reached out to her friend Brad Cook, a Durham, North Carolina-based producer/multi-instrumentalist known for his work with artists like Bon Iver and Waxahatchee. The two had kept in touch after crossing paths at the Eaux Claires Music & Arts Festival (an event co-founded by Bon Iver’s Justin Vernon, who appeared on Di Franco’s acclaimed 2017 album Binary), where she became enamored with one of Cook’s guitars. “Brad let me borrow the guitar and I ended up writing half this record on it,” says Di Franco. “I called him up and told him about the new pile of songs I’d pulled out of his guitar and about my recording predicament and he said to me, ‘Give me a week. If you can get yourself to Durham, I’ll take care of the rest.’”
Produced by Di Franco and recorded mainly in two whirlwind days at Overdub Lane in Durham, Revolutionary Love more than justifies the mad dash behind its making. As her first studio effort since the release of No Walls and the Recurring Dream (Di Franco’s widely praised 2019 memoir), Revolutionary Love arrives as an instantly transportive selection of songs. Rooted in her poetic lyricism and ever-commanding vocal work, the album unfolds in an understated yet captivating alchemy of folk and soul and lushly textured jazz-pop. In sculpting that sound, Di Franco and Cook assembled an eclectic lineup of musicians, including percussionist Brevan Hampden (Hiss Golden Messenger, Milton Suggs), horn/flute player Matt Douglas (The Mountain Goats, Josh Ritter), keyboardist Phil Cook (Megafaun, Shouting Matches), drummer Yan Westerlund (Quetico, Mipso) and Di Franco’s longtime touring band Terence Higgins on percussion and Todd Sickafoose on bass.